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Ishqiya is a story of romance between individuals caught in a web of crime, suspense, passion, and deceit. Two thieves, Khalujan and Babban, are on the run from their boss, Mushtaq. They seek refuge with an old friend, and instead meet his widow, Krishna. As they plan their escape, their time spent together draws the duo to her, Khalu with his tinted vision of old-fashioned love, and Babban with his lustful eye. The threat of imminent death forces them on a path of violence and betrayal. Set in a rural landscape, Ishqiya explores basic human emotions as influenced by desire, greed and revenge.

Ishqiya Movie Review by Taran Adarsh

Get ready for tangy, pungent, sizzling and spicy stuff. Be forewarned, ISHQIYA isn’t the fluffy, candyfloss, saccharine sweet story of lovers breaking into songs in mustard fields. In ISHQIYA, you just don’t know what turn the story may take next. Not just the story, even the characters here are so impulsive and unpredictable
Every actor in ISHQIYA delivers a sparkling performance! Naseeruddin Shah is superb as a romantic. He is matchless in the sequence when he learns the truth about Vidya and Arshad. Arshad packs in a bravura performance yet again. Post MUNNABHAI films, Arshad should be liked in this one the maximum. Vidya continues to surprise. It’s a dynamic performance undoubtedly. PAA and ISHQIYA are two landmarks in her career.

The actors enacting the role of Jijaji, the kidnapped victim and Vidya’s husband are all perfect. The child, who interacts with Arshad, is natural. In fact, every performance in ISHQIYA is worthy of mention.

On the whole, ISHQIYA is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta.

Final word? You can’t help but fall in ishq with ISHQIYA. Tired of sherbat? Try this spicy jaljeera for a change!

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Ishqiya Review by Nikhat Kazmi of TOI

Ishqiya is a zany little black comedy that may be completely desi in its idiom, its lingo, its landscape. Yet, when it comes to drama, it is totally Hollywood. Debutant director Abhishek Chaubey tells his story with a panache that falters only in the end. Ironically, if he hadn’t faltered in winding up this delectable little tale of a wicked trio, with nothing to lose not even their morals — he would have created a masterpiece. But the last few reels are so much of a rumble-tumble, they leave you both confused and somewhat dissatisfied.

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